go west, young tourist

From TORONTO,

December 29th, 2010

everywhere bus

It’s ridiculous that I haven’t written. I’m aware of this.

I’ve been to Iowa. I’ve been to West Virginia. I’ve been to Florida, Illinois, Indiana, and to Texas. North Carolina, too. I’ve been to Belleville. I survived two weeks in London, Ontario, a bout of food poisoning on a two-show day (still puking at seven a.m.; call time at twenty-past – don’t order the pesto shrimp from Boston Pizza…as if you ever would), eight-hour drives in a five-person-jammed pickup truck; lugging a set that weighed at least NINE THOUSAND POUNDS in and out of stage doors and schools, up steps and over snakepits; lived through spats with my tourmates about trivia games, luggage and generally being up at six in the morning…

Nobody loved me. Everybody hated me. I went out back and ate some worms.

My back still hurts. My wrist is sore. And my liver is more than three parts booze. I drank enough one karaoke night in Alexandria, Louisiana that I, turning green and leaving early but disappointed to be going before my Bon Jovi tune had come up, had to be told that I had, in fact, already sung it. That’s where I left my jacket. I left my shoes in a hotel closet in Chicago, my Oil of Olay under a bed somewhere, and my heart in New Orleans. I left one adorable soul singer in Austin, Texas, standing in a bar with his heart on his sleeve, dreaming dreams of exotic Toronto, where all the girls have long black hair and ruby lips. And one sad, small second cousin twice-removed behind in Dallas, wondering why in God I’m not her mother and why she can’t leave Adrian and Jo in Texas once and for all and escape a fate of eating deep-fried butter and voting Bristol Palin 2024.

I left a sock in every town – “REMEMBER MEEEEEE, NORTH LIBERTYYYYY!!! I won’t remember yooooooouuuuu!”, most of the roaches (I hope) back in that dressing room in Texarkana, and indelible impressions on the minds of thousands of awestruck children and their teachers who had the pleasure of not only seeing me perform but hearing my sage words of long-winded wisdom in talk-backs afterwards. Will they ever again wonder How We Learn ALL THOSE LINES? I think not, dear readers, I think not.

I believe this picture just might say it all, tour-wise:

tour 117

(This is Hallowe’en in Weston, West Virginia, incidentally. I am CLEARLY Amy Winehouse, but the locals, not knowing who that was, deducted I was “someone with a dildo for a head”. Close enough.)

Speaking of dildos…Rob Ford is the new motherfucking goddamn mayor of Toronto. (See the previous two blague posts for a sampling of my feelings about that.) I survive. Winter’s here…and still, I manage to go on. Christmas came and went and didn’t bother me a bit. I bought a tree and lugged it down the street. I baked ten billion cookies.

And yet I didn’t write.

It was all too much, My Puzzled Reader. As large and capable as my brain may be, it managed to get overfull, and not sure what to tell you, I told you nothing. I apologize.

But enough of the past two months. Instead let me tell you about…the Christina Aguilera movie.

Yes, Burlesque! Also starring Cher! And Stanley Tucci! What the fuck?!

I’ve been excited about this film ever since I was at the movies with Sarah Allen and we saw the poster of Christina and Cher’s big tall slutty faces and I peed myself. I didn’t know what it was and didn’t care. Christina was in it! It was called BURLESQUE! I tore off my now wet (first creamed, then pee-filled) jeans and ran a pantless bluestreak through the Scotiabank Theatre, screaming incoherent words of joy. Sarah managed to catch up with me and deal with management.

burlesque_poster1

JUST LOOK AT ALL THOSE LIPS!!!

But it would be months - until tonight, in fact – before I would see it. Burlesque came out while we were on tour, and I did rope my other showgals, Emma and Krista, into seeing it with me. It was all we could handle intellectually at the time, and seemed a perfect way to celebrate our last week on the road. Plus we knew when we got home none of our friends there would want to see it.

Alas that was THE DAY OF THE SHRIMP PIZZA, and I stayed home (or, rather, hotel-bound) to lie in my own vomit – better than someone else’s, I suppose – while the intrepid ladies soldiered on without me.

I came home and fell into a deep deep sleep, the sleep of those just off a kids’ show tour, which means I didn’t even move for eighteen days (a rep from Actors’ Equity came by to hook me up to an I.V. – it’s in the union rules, go check it out) and by the time I emerged, Burlesque had closed.

However, this week it was playing at my neighbourhood rep cinema, The Revue. Of course it was, having just been nominated for a Best Musical/Comedy Golden Globe, and the Revue being a bastion of all things noble and artistic.

Now I had to go, and right away. I mean, what if ends up on the American Film Institute’s best movies of the decade list? I couldn’t even wait for the couple of friends/family members who may have actually gone with me. I was walking home from the gym and there it was!

And it was glorious…or maybe I was just flushed with endorphins from my workout.

I admit to being consistently distracted by Xtina’s new, enormous breasts. They actually looked normal enough, in a way, when she was all dolled up in push-up bustiers, but in the scenes where she was dressed casually, they were jarring. Especially when she’s supposed to be braless in PJs and has these sturdy rock-like things sticking straight out of her chest. At those moments her boobs had the look of an inappropriate accessory, like when you see someone wearing tons of eyeliner at the gym. And they didn’t even bounce when she jumped up and down. It was strange. I had to go straight home and watch some movies with properly bouncing breasts in them, just to make up for it.

But aside from that…it is “the greatest movie ever made”…says Sharin-Maizie Elliwand-Johannson of Arborg, Manitoba. Dolly32122 exclaims, “I was dancing all the way through the film in my seat paha”, while phatgurl509 calls it “so fun LOL” and male lead Cam Gigandet “off the hook for hotnesssss!!!!!!!!”

Christina’s acting is far less wooden than her immovable jugs. In fact – I’ll say it - I found her charming, though perhaps in a “Wow, she’s not half so horrible as I thought she would be” way. Her love interest had easily watchable pectorals and abs, heavily featured, Cher made you care just a little from time to time, and the dancing was sufficiently dancy.

And I was moved – yea, moved! - because that’s just the state of mind I’m in these days. I’m headed to Vancouver, you see, to try my luck in the little big city, and thus the story of a young starry-eyed girl headed to L.A. to strike it big was right up my proverbial alley. I’m going around with big new half-baked plans these days, involving being discovered in a soda shop, and I’m prone to saying things like “Wait’ll they get a load a’ me!” and “Look out world!” and “We’ll put the show on right here in the barn!”.

And it’s not just me. Today a friend – Jamie Wilson, whom I haven’t seen in years and who hasn’t heard my current schemes – happened to send me this clip on face&%*k, with the caption “This reminded me of you.”

See? That’s just the type of positive enthusiasm I’m putting out in the world right now, and Jamie must have sensed it from afar. Or maybe it was just Liza’s nose that he was thinking of. I’m hoping not her slightly wonky eye. Or her alcoholic mother shouting in the background. But hey, I’ll take it!

So yes, I’m off to be a huge voice star, start climbing mountains, achieve a black belt in Karate…and then the Coen Brothers will discover me. All this as I break into the elusive Vancouver Theatre Scene. OoooOOOOooooh.

OR…(in that Skeptical Spin you all so sickeningly crave) I come back in three months not triumphant but defeated; broken-backed and sobbing, “B.C. sucks! Nobody liked me! And I just missed                (insert your name here, Toronto resident) too much! I couldn’t bear it!”

For now, however, you will find me packing suitcases and singing this song:

(If, in a week or so, you should hear a story of a Vancouver-bound flight brought down for security reasons after a suspicious woman of ambiguous ethnicity wouldn’t stop belting a show tune at the top of her lungs, this will have been the one.)

I recently played this recording for a particularly handsome young man who happened to be sitting in my kitchen at the time, and was deeply disappointed that he didn’t seem to ‘get it’ like I did. I now realize that if a guy I was sharing pillow-space with did freak out over a Dionne Warwick recording of a show tune from a Natalie Wood movie, I might start to wonder. Or maybe I’d just take him to Burlesque and help him pick out panties. And then we’d do each other’s nails. To pass the time, you know, until the Coen Brothers happened by.

I’m stakin’ my claim. Remember my name…

The Tourist

Democracy in Action (Is this thing on?)

From THE MEGACITY,
December 5th, 2010

Readers....make your way through the thread below for a look at my scintillating correspondence with Councillor Karen Stintz (Rob Ford's new TTC chair). This makes me laugh. And then it makes me barf.



(The initial correspondence is my modified version of a letter found here: http://www.emailthem.ca/transitcity/ .)

Dear Toronto Councillors and MPPs:

As a citizen of Toronto and regular TTC user, I am upset and outraged that Rob Ford wants throw away all the hard work, time and money that has gone into Transit City,in favour of a "plan" to shove all public transit underground at great expense to, and unneccessary delay for, Toronto taxpayers.

Rob Ford claims that his having been elected is evidence that the people of Toronto have given him a mandate to do just this. However, many people voted for Ford based on his "stop the gravy train" rhetoric (or rather, incessant hammering). This action, in its throwing away of millions of dollars already spent and/or promised for Transit City, would go against the very principle of stopping wasteful spending that those voters so responded to.

Residents of Toronto desperately need accessible transit to get around our city. Facts prove that Light Rail vehicles - not subways - are the best technology to reduce greenhouse gas emissions. Streetcars and LRVs have the lowest energy consumption per passenger mile of any mode of transportation. Replacing carbon-emitting buses with LRVs will also reduce emissions, leading to cleaner air to breathe and reduced healthcare costs.

Facts also show that subways cost far more and take much longer to build, thereby depriving Torontonians in priority neighbourhoods of faster access to better public transit and rapidly depleting our city budget. And a new line in time for the 2015 Pan Am games, starting from scratch NOW? How in God's name could any reasonable person think this possible?LRV expansion under the extensively researched Transit City plan will boost Toronto's economic productivity by easing congestion, which will prevent people and goods from being stuck in traffic. Building subways will mean this reduction in congestion will be severely limited in scope, compared with the Light Rail expansion planned under Transit City.

At the end of the day, cancelling Transit City is an attack on priority neighbourhoods, the environment and the public purse. I strongly urge you, as city councillors representing our best interests, to bring this matter up for a vote in city council on Dec 16th.I also urge MPPs who represent Toronto to be advocates for accessible public transit and keep the Transit City plan on track.

Mayor Ford declared that the war on cars is over, yet ironically the cancellation of Transit City will wage war on public transit users, particularly those who do not live near a subway or who cannot afford a car. Many taxpayers need the TTC; where's the respect for those taxpayers, Mister Ford?

If the new mayor tries to force this through without support of council, it is a slap in the face to Torontonians and an abuse of office. In that case, I urge councillors to walk out. Let's see how voters like Ford and his ever-present brother running things on their own, as the dictatorship they so desire.

Sincerely,
Lisa Norton
M6R2K5


Date: Sun, 5 Dec 2010 00:32:29 -0500
From: councillor_stintz@toronto.ca
To: n*******@hotmail.com
Subject: Re: RESPECT FOR TAXPAYERS? Don't let Rob Ford trash Transit City. (Transit City)

Thank you very much for taking the time to send me a note about your concerns.

As you may know, Transit City was not fully funded by the Province of Ontario or the Federal Government. The transit plan that has been funded is the Metrolinx Plan and that plan includes transit investment on Sheppard, Eglinton, the Scarborough RT and Finch. Stopping Transit City does not jeopardize the Metrolinx Plan.

During the last municipal campaign, the voters of Toronto, through their support for Mayor Ford, indicated a preference for below-surface transit. Over the next few months, the TTC, Metrolinx and the Province will revisit the current Metrolinx Plan with a goal to increase the amount of below-surface transit.

We all have a shared goal of a regional transportation plan that meets the needs of the riders of today and in the future. I am confident that the TTC, Metrolinx and the Province will work together to adjust the plan in a fiscally responsible manner that will receive the endorsement of the residents of Toronto.

Yours truly,

Karen Stintz


From: n*******@hotmail.com
To: councillor_stintz@toronto.ca
CC: councillor_perks@toronto.ca
Subject: RE: RESPECT FOR TAXPAYERS? Don't let Rob Ford trash Transit City.
Date: Sun, 5 Dec 2010 13:04:37 -0500

Councillor Stintz,

I'm afraid that your claim that by voting for Ford, Toronto gave him a mandate to do whatever he wants with transit, just doesn't wash. You and I both know that's not how the political process works, nor should it work that way. Toronto didn't just vote for Ford, they also elected a body of councillors, and expect them all to have a say (our say) in huge decisions like this. Furthermore, people who voted for Ford did so for a variety of reasons (chief among them being that many people believed, with his "gravy train" mantra, that he would be fiscally conservative and not go throwing their money away) and don't neccessarily support every facet of his platform or every idea that comes into his head. The man is a mayor after all, and not a king.

I, for one, live in pre-megacity Toronto, which overwhelming did NOT support Ford, and I count on my elected councillor to have a say. I believe he should have had a say before a call was made to the TTC telling them to stop work that was underway.

Now that it looks like Toronto's transit plan is inevitably changing one way or another, I do hope that you're right: I would love if Ford could find some way to get subways built quickly and safely and without huge extra expense to our city and billions lost in dishonoured contracts. But, to quote a popular phrase of late, that sounds like fairy dust to me. His logic and economics just don't add up, and I fear that we, the people of Toronto, will end up with NO viable replacement for Transit City, which was worked on so long and so hard by so many people only to be thrown away in one day...or at least end up with no replacement built for a decade or two in the future. What a waste.

Lisa Norton,
Ward 14


From: Councillor Stintz (councillor_stintz@toronto.ca)
Sent: December 5, 2010 1:05:51 PM
To: Lisa Norton (
n*******@hotmail.com)

Thank you very much for taking the time to send me a note about your concerns.

As you may know, Transit City was not fully funded by the Province of Ontario or the Federal Government. The transit plan that has been funded is the Metrolinx Plan and that plan includes transit investment on Sheppard, Eglinton, the Scarborough RT and Finch. Stopping Transit City does not jeopardize the Metrolinx Plan.

During the last municipal campaign, the voters of Toronto, through their support for Mayor Ford, indicated a preference for below-surface transit. Over the next few months, the TTC, Metrolinx and the Province will revisit the current Metrolinx Plan with a goal to increase the amount of below-surface transit.

We all have a shared goal of a regional transportation plan that meets the needs of the riders of today and in the future. I am confident that the TTC, Metrolinx and the Province will work together to adjust the plan in a fiscally responsible manner that will receive the endorsement of the residents of Toronto.

Yours truly,

Karen Stintz


From: Lisa Norton (n******@hotmail.com)
Sent: December 5, 2010 1:38:53 PM
To: councillor_stintz@toronto.ca

FYI: I was just sent the same stock answer that I recieved to my previous letter. My letter (this time) was in reply to what you've written below. Is anyone actually reading these things?

Lisa Norton


From: Councillor Stintz (councillor_stintz@toronto.ca)
Sent: December 5, 2010 1:39:51 PM
To: Lisa Norton (n*******@hotmail.com)

Thank you very much for taking the time to send me a note about your concerns.

As you may know, Transit City was not fully funded by the Province of Ontario or the Federal Government. The transit plan that has been funded is the Metrolinx Plan and that plan includes transit investment on Sheppard, Eglinton, the Scarborough RT and Finch. Stopping Transit City does not jeopardize the Metrolinx Plan.

During the last municipal campaign, the voters of Toronto, through their support for Mayor Ford, indicated a preference for below-surface transit. Over the next few months, the TTC, Metrolinx and the Province will revisit the current Metrolinx Plan with a goal to increase the amount of below-surface transit.

We all have a shared goal of a regional transportation plan that meets the needs of the riders of today and in the future. I am confident that the TTC, Metrolinx and the Province will work together to adjust the plan in a fiscally responsible manner that will receive the endorsement of the residents of Toronto.

Yours truly,

Karen Stintz


From: Lisa Norton (n*******@hotmail.com)
Sent: December 5, 2010 2:41:37 PM
To: councillor_stintz@toronto.ca

You are a smelly smelly poo head. (Testing, testing...Is this on?)


From: Councillor Stintz (councillor_stintz@toronto.ca)
Sent: December 5, 2010 2:45:40 PM
To: Lisa Norton (n******@hotmail.com)

Thank you very much for taking the time to send me a note about your concerns.

As you may know, Transit City was not fully funded by the Province of Ontario or the Federal Government. The transit plan that has been funded is the Metrolinx Plan and that plan includes transit investment on Sheppard, Eglinton, the Scarborough RT and Finch. Stopping Transit City does not jeopardize the Metrolinx Plan.

During the last municipal campaign, the voters of Toronto, through their support for Mayor Ford, indicated a preference for below-surface transit. Over the next few months, the TTC, Metrolinx and the Province will revisit the current Metrolinx Plan with a goal to increase the amount of below-surface transit.

We all have a shared goal of a regional transportation plan that meets the needs of the riders of today and in the future. I am confident that the TTC, Metrolinx and the Province will work together to adjust the plan in a fiscally responsible manner that will receive the endorsement of the residents of Toronto.

Yours truly,

Karen Stintz

rumours of my death are slightly exaggerated

sometimes-theres-not-though

From LONDON, ONTARIO
October 25th, 2010

I write this from a schoolyard full of screeching, flailing, wiggly children. Nearby, some kids hide from some other kids under a truck. Across the way, a few stray boys play a game of “Would You Rather?”, which seems to be comprised entirely of questions involving a gross girl named Jessica. “Would you rather never sleep again…or sleep with JESSICA?” “Would you rather have no face…or use your face to kiss JESSICA?” Tough decisions.

There is a reason for my presence here, and it goes beyond the usual stalking and staring. That’s reserved for high schools, incidentally, and I only ogle seniors. I’m performing a play for the lucky children of Southwestern Ontario, and later, through scattered areas of the United States. (Of America, not Mexico, alas.) It’s been twelve years since I did this kind of thing, and I was lured back by my dear friend and fellow actor Jamie Robinson, whom I now shake my fist at every day. This is hard work. Did you hear that? HARD WORK. EARLY MORNINGS. CARRYING STUFF. And this is me, Lisa Norton, the Skeptical Tourist, the long-acknowledged laziest woman in show business, we’re talking about.

I was also seduced by the fact that it’s with Roseneath Theatre, a company I’ve long admired – and the show is pretty great, as are my colleagues (thank the lord above). There’s the added ego boost of the kids regularly guessing my age at around twenty-five, shaving off a nifty ten years and thus encouraging my wearing of ridiculous clothing far too young for me. I’m the proud new owner of a weird little pair of Nike sneaks that not only glow hot pink and even hotter purple, but have this crazy insert that communicates with my tunepod and my computer about my exercise habits. When I complete a particularly challenging run, Lance Armstrong’s voice coos sweet congratulations in my ear. When I cack out and quit, my ipod gives me an electric shock and calls me a fat whore. Neat, I know!

This gig also got me with that irresistable Norton kryptonite, the promise of travel – thus far, to exotic locales like Ingersoll, Ontario! Mississauga! Richmond Hill! Luxurious nights at the Hojo in London!
Ahead lie Texas and Florida and the midwest, where I plan to pick daily fights over abortion, health care and dirty Canadian Socialism. I’ll also claim that our version of So You Think You Can Dance is superior to theirs, which always gets those Yankee conservatives right where it hurts.

Anyway, who can complain? ME, that’s who, and well, and daily. I have to watch the sun come up on the way to work, and it’s all annoyingly beautiful and stuff, like “Oooh, look at me, I’m the sun.” . Some schools we play don’t even stock Monarch brand foaming hand soap in the bathrooms, which is like, totally my favourite. And I’m not even sure that life’s worth living ever since the Body Shop stopped making honey shampoo and conditioner. If I were Oprah Winfrey, I bet I could just call up the Body Shop and tell them to start making my shampoo again and they would do it, just like that. So my main problem in life is actually that I’m not Oprah Winfrey. But I will be. Someday.

I did have a moment of true and awful outrage yesterday evening when I left my house to head for London. As I exited my building, two men were walking away having just attached a huge “Rob Ford For Mayor” sign to our gate. This is a building full of artists, progressives and cyclists, and for those of you from elsewhere, Rob Ford is the big angry reactionary dude with zero arts policy who thinks only gay needle users contract HIV and who wants to scrap all bike lanes because roads are for cars and cyclists are a pain in the ass and just asking to get run over. He has no cohesive plan for our city whatsoever and no platform but to shout the words “gravy train” over and over again while steam shoots out of his ears.

From the sidewalk you could look to the right of the Ford sign and see about fifty bikes parked in our courtyard. In fact, I saw people doing just that, all seemingly as perplexed as I by the sign’s presence. I huffed and puffed and asked the guys who it was that had requested the sign. “Paul,” apparently, who is apparently the owner’s son, and for whom it wasn’t enough to put a sign on his own damn house but had to put one on daddy’s rental property as well.

As I said, I huffed around for a bit while waiting for the streetcar and wishing I weren’t headed straight to London so I could fashion some kind of enormous disclaimer, stating “This sign does not necessarily reflect the opinions of the people who live here”…or order competing Smitherman and Pantalone signs to place next to the offending one…or, at the very least, stand there spitting all night long. Maybe set the building on fire.

In the end, I predicted the sign wouldn’t last ‘til morning, and made my sneaky contribution by (shock of shocks!) undoing one of the four twist ties holding it to the fence, in aid of whoever had the balls – and time – to do the rest. I felt so baaaad. But still so angry. In the sexiest of ways. I’m just so hot when I’m political, am I right? Don’t fight it.

I should mention that the last half of this blague has been broadcast from Toronto, to which I returned this afternoon to discover that the sign was gone (a result of protest to the landlords, or of sneakiness like mine?) – as were the questionably kosher Ford signs on the construction fences in the middle of my street and on the old folks’ home. Yaaay, Roncey!

So now, tonight, we Torontonians wait with bated breath to find out whether our fair city will be soon mayored by the loudmouthed phenomenon of assholishness that is Rob Ford. I’ll admit to having had a certain bias against the man before ever even having heard him speak, his big angry red face being enough to put me off instinctively. But then he opened his big angry red mouth and spewed out his big angry red thoughts, and it got no better. For us or him. Here are some of my favourite Ford clips, which will be either hilarious or terrifying in the morning, depending which way this thing goes.



Note how happy he looks when he discovers he may have been called a fat fuck and has something to freak out about.


I actually teach children about this kind of behaviour in our show every day. I’m hoping if Ford loses he’ll join our tour and take over one of my roles, that of the school bully. He would be amazing.
The most disturbing thing about this last clip, perhaps, is all the youtube comments commending this performance for demonstrating that at least he’s real and stands up for what he believes in. I’m terrified. But if he’s fleeced enough people to win this thing, I give the guy six months tops before he blows a gasket screaming at someone in a meeting and drops of a massive heart attack.
Orrrrr…



Now that’s more like it. What Toronto needs is Princess Leia. And Oprah Winfrey. Pantalone (whom I didn’t dare vote for, sadly) for mayor and honey shampoo in every pot! Foam hand soap in all the schools! And no one has to get up before noon! Vodka in the water fountains! And winter is abolished! Down with menstrual cramps! All ex-boyfriends will be nice! Puppies everywhere! And cute friendly monkeys following behind to eat the puppy poo! Save the whales and sharks and fuck seals anyway, who the hell do they think they are?

Oh God Oh God. Just got a call from my stage manager informing me that A: My call time is ten minutes earlier tomorrow morning, and B: That Ford is leading the count at fifty percent.
WHAT KIND OF NIGHTMARE AM I LIVING?????!!!!!

I’m off now, to turn on the TV and watch the results roll in and drink and swear and smoke things.
And burn the building down.

Help me Oprah-Wan Kenobi. You’re my only hope.

moonwalker and me

From BLYTH, Ontario
July 25th, 2010

Okay, so yes, I’m away at the Blyth Festival again. Okay, so yes, that means I’m legally contracted to post about cows and pigs and country life; rep theatre and homemade jam; pies* and the lack of eligible cock around. (As opposed to cow and pig.)

*I wasn’t using “pie” as a euphemism for “vagina” there, by the way. I really did mean baked goods. It just happens to work on that level, too. (Bonus joke!)

However.

I don’t know if you guys have heard about this but…Michael Jackson died. A year ago. Oh, wait, what’s that - Michael who? Oh, he was this entertainer, he was really neat, you might be able to find a clip or two on the internet. Of course, he was never truly recognized and never achieved the success he might have, because he was black. If he’d been a white guy, “Michael Jackson” might have been a household name, or at least he might have had a hit or two, rather than dying in obscurity, almost completely unknown but to a group of prisoners in the Philippines that liked his dancing for some reason.

_________________________________________________________

(TAKE TWO…for real this time)

I promised one year ago, just after we all heard, to devote an issue of The Tourist to the gloved one. As I said at the time, I just wasn’t ready.

But now I am. Here goes.

At first we just friends. Or rather, he was a friend of my mother’s. It was her copy of Off The Wall that I would take out, unfold carefully and talk to. “Michael,” I’d say, “my socks never look that white. How do you do it?” I’d wonder at his flexibility, being capable of bending all the way in two like that. I’d listen to his groovy songs and try to dance, which I hadn’t quite figured out yet, but he was teaching me. Sometimes I’d fall down. Oh, we’d LAUGH! What fun!


DISCO_MICHAEL_MERCADO_LIBRE_003


I remember when we fell in love. It was Christmas, 1983. Michael had been away awhile. I’d moved on to other friends; he’d been working. I wasn’t angry, but we’d drifted. And then somebody, God bless them (Uncle Steve?), gave me Thriller as a gift. I unwrapped it and gasped. There he was, looking at me again. Different nose but those same old beautiful brown Michael eyes. He smiled. I smiled. Something was different. I was older now. Nearly nine. Practically a woman.

There, in front of the Christmas tree in our Scarborough living room, family shouting festively around me, I sat blushing as new Michael and the new me regarded one another. I felt shy. My noisy, laughing family may not have noticed the sparks suddenly flying, but I was embarrassed that they might. And suddenly I just couldn’t stand all these people being everywhere. We needed to be alone. We went up to my room.

I sat on the carpet and Michael sat in front of me. I unfolded him and laughed. “There you are again, showing off your flexibility!”

He just giggled, playing with his baby tiger, Lisa, whom (he told me now) he had named after me. It had been the record company’s idea to have him pose with a cute, cuddly tiger cub in a ploy to show fans his sensitive side, as Michael was (for obvious reasons) always in danger of being pegged as “too macho”. But the cub had grown on him, particularly after he’d taken her on the road to keep him company on his latest tour.

michael-jackson-thriller


It was there that he’d given her my name and would spend late nights confiding in her all his deepest, most private thoughts, pretending she was me. “But Michael,” I asked, “Why didn’t you just call me?”

“I wanted to,” he said. “But I know you’re busy with school and everything. I remembered you were in Mrs Thielking’s class this year, and we all know how tough that is. I just didn’t want to bother you. Congrats on all your track and field ribbons, by the way,” he said, gesturing to where they were tacked up on the wall. “Oh, Michael, I just think of you and I jump higher, run faster, go that extra kilometre - as we say here in Canada. I’m always picturing you out there on the sidelines, cheering me on.”

“I am. I cheer you on within my heart.”

I took down my high jump ribbon, my first of what would be a short but distinguished career, and I pinned it to his chest. “Ouch,” he said. So then I pinned it to his shirt instead. I held a finger to his beautiful forehead.

“Remember, Michael, wherever you are, no matter how far apart we may be…I’ll be right here.”


ET_nose_touching_rgb michael-jackson-e-t

(NOT THE MOST FLATTERING PICTURES OF ME)

He took off one of his gloves and gave it to me. At first I wouldn’t take it, knowing how cold his hands always were. But he insisted.

“You’re such a P.Y.T.,” he told me.
“A what? What’s that?”
“Track eight," he said. “You’ll see.”
“Eight! My lucky number!”
“How could I forget?”

There were so many more things I wanted to say. I wanted to tell him all about Kim and Hansa and Mangala and Anita and all my other awesome friends. About last year, when red-haired Brandy had moved into town and bullied me and taken all those friends away and made grade three a living hell. How I’d beat her up and won them back. Wanted to show him pictures I’d drawn, stories I was working on. (Oh MY GOD, he hadn’t met my dog yet, Toby! Dad got him from the pound, surprised me!) I wanted to show him my moves.

But as the needle touched down on the record and he started to sing, I fell silent. Michael sang. And sang and sang. And sometimes Paul McCartney sang. I listened and we looked at one another. And it was good.

I should have known it couldn’t last.

THE POSTER

With Michael gone for months on end, I had only his recordings and occasional TV appearances as reminders. When he debuted the moonwalk on Motown 25, I was watching. Okay, everybody was watching. The next day at recess, as my classmates were trying it out, I just watched and smiled. Michael had tried to teach it to me many times. If he had failed, what chance did these clowns have? When he won those eight - eight! My number, again! - 1984 Grammys, I was at home, wearing the other glove. He had wanted me, not Brooke Shields, on his arm that night, but I had a geography project due the next day. I had all my friends over for the broadcast of the Thriller video. They gasped and danced and screamed; I cried. I missed him so.



Even though I was nine years old by this time, I still had no steady income. My sister Nancy, who was fourteen and rolling in cash, had a poster of Michael that I eyed and coveted for months. (Michael was too shy to send me pictures and I was too shy to ask.) Thanks to the magic of the intertubes, here it is:

michael_yellow_vest


Alas, there were no intertubes to be tubed at the time, and all I could do was hang around Nancy’s door and catch the occasional peek. Eventually she took pity on me and told me she would consider selling it. I made an offer of jelly beans and laundry folding. She held firm at twenty dollars. At the time, that was eight weekly allowances for me. (My allowance always being the going rate of a movie; this was in the days of Two-fifty Tuesdays).

I scrimped and saved and forwent movies with my friends for two whole months. One happy allowance day the transaction was made: I eagerly handed over my hard-saved quarters and two dollar bills; the poster was rolled up and delivered into my shakey little hands. By now it was edge-frayed and faded and everyone was saying Michael was gay. But it wasn’t until somewhat later that I realized that the store price of posters was eight dollars and that my sis had pocketed a tidy one hundred percent plus profit for a poster she didn’t want anymore. Clever girl.

When he would visit, it was lovely, just like old times. But those visits were seldom and we couldn’t help but drift apart. He had the Jackson Five Victory Tour, I had Speech Arts and volleyball. And in the spirit of total disclosure, there were other men, I must confess. Nigel Brown and I went so far as to hold hands, about which Michael never knew, but I had strayed all the same.

NAZEER PAREKH AND THE THRILLER JACKET

My friend and schoolmate, Naz, had a similar experience to my poster ordeal when he begged and begged his parents for a Michael-style red pleather Thriller jacket. They said, again and again, “Don’t be ridiculous", but eventually gave in when he met them halfway with his paper route money.


Little did I know how tragic, for me, would be the day when Nazeer finally showed up at school in the jacket. By this time, scorn for Michael had gotten vicious in the Grey Owl Junior Public schoolyard. He was lame, he was a loser, he was SO GAY.

And did I defend Michael as staunchly as I had the myth of Santa Claus only a year or two before, popping Michael Haynes in the nose for saying Santa wasn’t real? No, friends, I am ashamed to say. I took the easy, coward’s route, making a show of laughing with the others before leaving Naz to the wolves. Shaking my head that he didn’t know better, I retreated into the background. I turned my back on Nazeer just as they were tearing the arms and zippers from his coat and pooing on him, and just then noticed a shadowy figure on the other side of the chainlink schoolyard fence. The backlit halo of a jericurl caught my eye. I saw the glow of silver socks, the glint of a so-familiar glove, and as he turned away I caught sight of a single tear rolling down my poor, sweet Michael’s face.

I called out his name once, feebly, but I knew that what he’d witnessed had been unforgivable. A terrible betrayal. I had lost him, maybe forever. I stood there stunned, and could only watch him walk away.

I wrote letter upon letter, for years, pleading for forgiveness. Michael eventually responded with a hit single.



He became more and more reclusive and reports of his strange behaviour worried me. I wished I could be there with him, for him, provide some kind of grounding influence as I did for all my other international celebrity friends. But Michael had good reason to feel angry, and how could I help him when I was part of what had sent him spiralling into darkness?

Somehow, Michael eventually found it in his heart to accept me into his life again. He was in his “Man In The Mirror”/“Heal the World” period and it had affected him deeply. He wanted to let go of old grudges and move on. But he would always keep me at a distance. We were friends but didn’t dance. There was talk, but little laughter. Liz never trusted me and she was a big influence. But after what I’d done I was grateful to be in his life at all and was content to visit Neverland now and then and give Bubbles his baths. Now and then Michael would almost forget himself and it would be like old times…but that was mostly when we’d been drinking, or eating Pixie Stix.

And then there was the time that Michael took all those painkillers and married Lisa Marie Presley by accident, thinking she was me. I was there; he thought I was Diana Ross. I could have stopped it but my pride got in the way. (Plus I was kind of enjoying being Diana Ross for a day. Who wouldn’t? Now if only I could make my hair go like that.) But it hurt, I won’t lie. Especially because he’d taken the last of the painkillers and there were none left for me.

Things between us would never be the same. Visits became fewer and fewer, and more and more sad. I didn’t deal well with his legal troubles, and he didn’t seem to understand how hard theatre school can be.

When news came through that Michael had died I was working on a play in Gananoque, Ontario. All I could do was sit, stunned, in front of the TV like everyone else. And that, after all, was all I deserved.

So where does that leave me, Dear Reader? Alone, getting older, and full of regret. We never had our wedding on the Moon. We never had our honeymoon at Disney World. Sure, I force everyone to listen to, REALLY listen to, Man In The Mirror every New Year’s Eve…but did I ever actually tell him how I felt, how desperately I still loved him after all these years? No, I kept it all inside, kept it inside and let him fall apart and bleach himself and shrink his nose smaller and smaller, until like some pathetic symbol of all his and my romantic possibility, it caved in and disappeared altogether.

It leaves me here, Dear Reader, talking to you. And while you’re very lovely, you’ll never moonwalk through my heart like Michael did. No one ever will.


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Blyth bonus issue! Now with 100% real Blyth!

From BLYTH, ONTARIO
July 16th, 2010

All right, all right, this isn't the Michael Jackson issue I've been working on....but it's close. Because Michael Jackson and The Blyth Festival are practically the same thing. I don't know what that means. But I refuse to delete it.

For all those who want a Blyth bedtime story, this is a little one. It's something I wrote for inclusion in the patrons' newsletter, and if they actually publish it I may be getting strange looks around town and gifts of lasagna for years to come. Here's hopin'!

(Moonwalker edition coming soon, promise.)

Dear friends (and I say friends because I do consider all Blyth patrons as such...except for the ones that don't like me in the shows),

Heather Black, our marketing guru-ette extraordinaire, has asked me to share a few words on the Blyth experience from my point of view as an actor in my third season here. Never one to turn down a chance to write a thousand-word essay on my day off, here I am.

I could tell you about the shows, and acting here, but you've seen me do that. And really, what can I say? I put on funny clothes and pretend to be somebody else for a living. Eric Coates and company have assembled one of the finest groups of people in the country at putting on funny clothes and making faces, and I'm pleased and proud to be one of their number.

But what I'd really like to tell you about is the Blyth administrative offices. Nothing fancy, really, just a former bank divided up into a few working areas, mostly open concept except for Sir Coates' CUSHY CORNER OFFICE; a boardroom used alternately for having meetings or for eating sandwiches; the former bank vault used as a photocopy room (so they say, but I keep looking for the piles of money); the box office around the corner...

What makes the office special to me is the feeling I get there. It's such a fun and welcoming place to drop by, and to see people buzzing around, happy about the work that they're doing. Or maybe they're just nice to me because I keep hanging around and they think, "Poor girl. No one else will talk to her". But that's sweet of them, isn't it?

The first day I arrived in town this season to begin rehearsals, I dropped by the office to say hi to Deb Sholdice, General Manager, superhero and all-round cool gal. In pops Sharon Thompson, equally cool and always well-coiffed Head of Box Office, to talk some important business with Deb. Seeing me, she immediately shouts, "What's your shoe size?!" and runs out to her car. Seems the shoe shop in Wingham recently had a big sale at which the two of them went hog wild, buying even shoes that didn't fit anyone they know. Catherine Fitch has also just arrived and next thing we know, the Box Office and General Managers are down on their knees sizing us and shoving shiny new shoes on our feet. This is why I like working at Blyth; it makes me feel like Cinderella.

Of course, it's not all fun and games and shoe sales at the Blyth Festival; sometimes there's serious work to be done. For this, Deb employs a small brass wheel that sits atop her desk. You spin the dial and it points to "Maybe", "Pass the buck", or "Fire someone". Lacking this sophisticated technology, Eric sits in his office buried knee-high in new scripts under consideration, relying on the age-old technique of eenie-meenie-miney-moe. To cast the plays, he considers the pile of photos and resumes sent in by actors across the country and then throws them all up in the air, seeing which ones land on top. Since Canada has such a deep field of talented performers, this method has done well for him so far. Sadly, Gordon Pinsent's CV is too heavy and keeps getting stuck at the bottom.




A visit to the office isn't complete without some kind of comedy routine from Eric and Deb, who keep their doors open, I suspect primarily so that they can shout witty one-liners at each other. There's the occasional guest appearance from Deb's daughter and Box Office rep, Sarrah, who is a bonafide comedian and makes me run from the office in fear of laughing so hard that I'll pee. Then there's Heather Thompson, House Manager, who acted with me years ago in The Thirteenth One, which she takes as license to make fun of me and call me rude nicknames all day long. Hey, the office needs its insult comic, too.

In the middle of the room sits a desk sometimes used by summer interns and such, but more often covered in bakeware and crockpots. There's always some kind of potluck or bakesale or barbecue at the festival, another big reason I can't stay away. The Shaw Festival wants me back, badly, but I keep telling them, "Not until you put some pork on this here fork."* And Martin Scorcese keeps calling, but he hasn't learned to offer me a Bonanza Breakfast.

A new tradition at Blyth, one I find endearing and utterly characteristic of this place, is that, on a show's first tech rehearsal day (a twelve-hour day going from about noon until midnight), the stage managers and cast of the other shows serve a dinner in the lower hall to the cast and crew. This so that everyone can have one less thing to do or think about in the middle of a long, sometimes difficult day.

Of course, by the time I got to our dinner (a little late) for A Killing Snow, the food had run out and I had to go home and cook. (And I made banana bread and a rhubarb crumble for The Bordertown Cafe people.) I'm not angry or anything; somebody around here owes me some lasagna is all I'm saying.

Reluctant as I always am to leave the office (having never had one and suffering from cubicle-envy), I do inevitably have to pass through that back door and into the backstage area to get ready and perform. For the best, most responsive and warmest audiences I've ever experienced anywhere in my fifteen years as an actor.

And in case you were wondering, backstage is not exempt from the Blyth food culture. Every few days, we'll walk into the green room to discover Gil Garratt sitting there with a grin and a box of cream puffs from Culberts in Goderich, at which point we all shout at him (as best we can through pastry-filled mouths) for making our costumes not fit.

I can think of worse problems to have.


See you all out there,


Lisa

* A reference to an annual Blyth Country Supper event, hosted by the local pig farmers' association. It really is called "Pork on Your Fork".

P.S Touristas: http://www.blythfestival.com/ if you want to know what the fuss is about. Some excitin' new-fangled video clips on there and everything!